With close reference to relevant passages, discuss the depiction of strong emotions, and to the tension between emotion and rationality, in a short story or stories by Nesbit, Gaskell or Poe. Why are supernatural presences powerful in exploring notions of the past? With close reference to relevant passages from the text of a short story or stories by Nesbit, Gaskell or Poe, discuss the text’s presentation of the haunted house via particularly Gothic tropes and techniques. How are these Gothic tropes particularly powerful in exploring issues of gender? With detailed reference to specific passages from the text of a short story or stories by Nesbit, Gaskell or Poe, discuss the author’s use of Gothic elements to explore and problematise Victorian notions of domesticity and domestic relationships. Hyde or The Hound of the Baskervilles reflect Victorian attitudes to science? How does the Gothic mode influence the way in which the powers and effects of scientific enquiry are depicted? Support your argument with detailed reference to particular passages in the novel. How does the construction of the monster reflect particularly Victorian fears, anxieties and/or desires? With detailed reference to particular passages in the novel, discuss the figure of the monster in either Dr. How does its treatment of Gothic themes and elements reflect specifically Victorian concerns? Hyde or The Hound of the Baskervilles as a Gothic text. With detailed reference to particular passages in the novel, discuss the operation of either Dr. In the view of Edmundson and Wallace, what particular uses are made of the ghost story by the female writers of Gothic in the nineteenth century? What is the particular significance of the haunted house for these writers? Suggest how these critics’ ideas are relevant to any one of the haunted house stories set for this section. Pages 57-59 only, up to the second paragraph which ends “as the most ‘literary’ of all genres.” 52).ĭiana Wallace, “Uncanny Stories: The Ghost Story As Female Gothic”, Gothic Studies 6:1 (May 2004). Melissa Edmundson, “The ‘Uncomfortable Houses’ of Charlotte Riddell and Margaret Oliphant”, Gothic Studies 12 (1), May 2010. Hyde”? What particular aspects of Victorian society, and particularly Victorian fears, does he suggest the motif speaks to? What does Botting consider to be the important characteristics of the double, both in general and in “Dr. leave out the final section on vampires, we’ll get to that later). Set reading: Fred Botting, “Gothic Returns in the 1890s”, Chapter 7 of Gothic. Please note that I cannot grant you extensions on these exercises: they need to be handed in on the day, as we will immediately discuss the exercise in class, and if you hand them in thereafter it will not be your own insights you rely on. formal English and not note-form responses) I do not expect you to write much more than the designated 500 words. Look at these more as tutorial exercises than actual essays while I require full answers (i.e. They should be personal responses to the set reading, often linking issues from the reading to primary texts they are not simply summaries of the readings. These short pieces of work (500 words) are focused around issues of theory or background, and are usually due at the start of a new section of the course (see schedule for dates).
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